The Case For Nudity
The nude figure is a tradition in Western art , and has been used to express ideals of male and female beauty and other human qualities. It was a central preoccupation of Ancient Greek art , and after a semi-dormant period in the Middle Ages returned to a central position in Western art with the Renaissance. Athletes, dancers, and warriors are depicted to express human energy and life, and nudes in various poses may express basic or complex emotions such as pathos. Unclothed figures often also play a part in other types of art, such as history painting , including allegorical and religious art , portraiture , or the decorative arts. Nude female figures called Venus figurines are found in the art of the Upper Palaeolithic , and in historical times, similar images represent fertility deities.
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The nude, particularly the female body, has always been one of the more obvious subjects of work in museums. However, in the United States nudity in art is a controversial subject when public funding and display in certain venues brings the work to the attention of the general public. At the same time that any nude may be suspect in the view of many patrons and the public, art critics may reject work that is not either ironic or fetishistic, and therefore cutting edge.
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According to Bram Dijkstra, attractive nudes by American artists have been relegated to storage by museums, with only rare special exhibits or publications in recent decades.
Relatively tame nudes tend to be shown in museums, while works with shock value such as those by Jeff Koons  are shown in cutting-edge galleries.
Dijkstra says the art world has devalued simple beauty and pleasure, although these values are present in art from the past and in many contemporary works. When school groups visit museums, there are inevitable questions that teachers or tour leaders must be prepared to answer. The basic advice is to give matter-of-fact answers emphasizing the differences between art and other images, the universality of the human body, and the values and emotions expressed in the works.
In classical works, children were rarely shown except for babies and putti.
Before the era of Freudian psychoanalysis, children were assumed to have no sexual feelings before pubertyso naked children were shown as symbols of pure innocence. Boys often swam nude, and were shown doing so in paintings by John Singer SargentGeorge Bellowsand others. Other images were more erotic, either symbolically or explicitly.
Representation of the world, like the world itself, is the work of men; they describe it from their own point of view, which they confuse with absolute truth. Men and women did not receive equal opportunities in nude training during the Renaissance. Female artists were not allowed access to nude models and could not participate in this part of the arts education. During this time period the study of the nude figure was something all male artists were expected to go through to become an artist of worth and to be able to create History Paintings.
Academic art history tends to ignore the sexuality of the male nude, speaking instead of form and composition. For much of history, nude men represented martyrs and warriors, emphasizing an active role rather than the passive one assigned to women in art. Alice Neel and Lucien Freud painted the modern male nude in the classic reclining pose, with the genitals prominently displayed.
Sylvia Sleigh painted versions of classic works with the genders reversed.
The Greek goddesses were initially sculpted with drapery rather than nude. The first free-standing, life-sized sculpture of an entirely nude woman was the Aphrodite of Cnidus created ca.
Rarely seen during the Middle Ages, the female nude reappeared in Italy in the 15th century. Subsequently, eroticism became more emphatic in paintings such as Giorgione 's Sleeping Venus ca.
These works inspired countless reclining female nudes for centuries afterwards. In the 19th century the Orientalism movement added another reclining female nude to the possible subjects of European paintings, the odalisquea slave or harem girl. One of the most famous was "The Grande Odalisque " painted by Ingres in For Lynda Nead, the female nude is a matter of containing sexuality; in the case of the classical art history view represented by Kenneth Clark, this is about idealization and de-emphasis of overt sexuality, while the modern view recognizes that the human body is messy, unbounded, and problematical.
Until the s, art history and criticism rarely reflected anything other than the male point of view. The feminist art movement began to change this, but one of the first widely known statements of the political messages in nudity was made in by the art critic John Berger. In Ways of Seeinghe argued that female nudes reflected and reinforced the prevailing power relationship between females portrayed in art and the predominantly male audience.
A year later Laura Mulvey wrote " Visual Pleasure and Narrative Cinema " stating the concept of the male gazewhich asserts that all nudes are inherently voyeuristic. The idea that women are intellectually inferior to men came from Aristotelian ideology and was heavily depended on during the Renaissance.
They held all creative power while women were the receivers. The artist was seen specifically as a white male, and he was the only one who held the innate talent and creativity to be a successful professional artist.
I TRY LIFE DRAWING: Practicing the Nude Human Figure (NSFW)
Women were depicted as passive, and they did not possess any control over their image. The female nude during the Renaissance was an image created by the male gaze. She considers how the image of the female nude was created and how the feminist art history movement attempted to change the way the image of the female nude was represented. Derived from the Renaissance ideal of feminine beauty, the image of the female body was created by men and for a male audience.
Eaton's essay "What's Wrong with the Female Nude? A Feminist Perspective on Art and Pornography", she discusses multiple ways in which the art of the female nude objectifies women. She considers how male nudes are both less common and represented as active and heroic, whereas female nudes are significantly more prevalent and represent women as passive, vulnerable, sexual objects.
The central image was focused on vulva related symbols.
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By incorporating new images and symbols into the female nude image in Western art, the feminist art history movement continues to try and dismantle the male-dominated art world. Current discussion of the appropriateness of certain artworks have emerged in the context of the Me Too movement.
The nude image in art has affected women of color in a different way than it has white women, according to Charmaine Nelson.
The different depictions of the nude in art has not only instituted a system of controlling the image of women but it has put women of color in a place of other.
The Renaissance ideal of female beauty did not include black women. White women were represented as a sexual image, and they were the ideal sexual image for men during the Renaissance. White women, in most major works, did not have pubic hair.
Black women normally did, and this created their image in an animalistic sexual way. The nude has also been used to make a powerful social or political statement.
Although based upon a report of a real incident in which the victims were not nude, portraying them so in the painting emphasizes their vulnerability and universal humanity. From Wikipedia, the free encyclopedia. See also: Ancient Greek sculpture. Kroisos Kouros c. Bathsheba at Her Bath by Rembrandt.
Old-Babylonian fired clay plaque of a standing nude female, from Southern Mesopotamia, Iraq. Bala Krishna dancing 14th century. Main article: Figure drawing. Main article: Printmaking. Main article: Figure painting. Main article: Sculpture. Main article: Nude photography art. Further information: Depictions of child nudity.
Human sexuality portal Visual arts portal. Retrieved January 7, Oxford Art Online. Oxford University Press. Retrieved 2 November Retrieved September 3, Retrieved 25 October Museum of Fine Arts, Boston. Retrieved 10 November The Chronicle of Higher Education. - windandwaterdesigns.com. Do you know the scoop? Comment below or Send us a Tip. Close This is a new journey for all of us. Please make sure Gothamist remains on it with you.